J.J. Johnson

1941-1942: he toured with the territory bands of Clarence Love and Snookum Russell.
1942-1945: Benny Carter's big band. Made his recording debut (taking a solo on "Love for Sale" in 1943) and played at the first Jazz at the Philharmonic (JATP) concert (1944).
1945-1946: Count Basie Orchestra.
1946-1960: various work with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-49) and the Miles Davis 'Birth of the Cool' Nonet. His own recordings from the era included work with Bud Powell and a young Sonny Rollins. He also recorded with the Metronome All Stars.
1951-1952: played with Oscar Pettiford and Miles Davis.
1954-1956: formed a two-trombone quintet with Kai Winding that became known as [a1696791] - various reunions would later happen.
1956-1960: led a quintet that often included Bobby Jaspar; began to focus more on his own compositions, starting with 1956's "Poem for Brass" and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard.
1961-1962: worked again with Miles Davis, and led some small groups of his own.
1960's: greater part of time spent writing television and film scores.

By the 1970's, Johnson was so famous in the jazz world that he kept on winning Down Beat polls despite the fact that he was not really actively touring or playing. However, starting with a Japanese tour in 1977, J.J. gradually returned to a busy performance schedule; during the 1980's he would go on to lead a quintet that often featured Ralph Moore.