The 49 Americans was a British DIY post-punk/art pop supergroup, active from 1979 to 1982, and created by US expat [url=https://discogs.com/artist/445664]Andrew "Giblet" Brenner[/url] in London. Brenner invited several free improvisers associated with London Musicians' Collective and local avant/experimental scene, including
David Toop,
Steve Beresford,
Max Eastley,
Lol Coxhill and
Peter Cusack, as well as [a=Nag (2)] and
Bendle of
The Door And The Window DIY cult band,
Viv Albertine (ex-
The Slits),
Vivien Goldman (who released art-punk classic Belfort 12" on [url=https://discogs.com/label/147578]99 Records[/url], produced by
John Lydon and
Adrian Sherwood in 1981),
Eddie Saunders, and other prominent musical and non-musical performers to participate in the self-described 'experiment in the pursuit of happiness.' According to Andrew Brenner, the 49 Americans were playing "
because we wanted to play, enjoyed being together and seeing what each other could do; musicians and non-musicians surprising each other. We did not take ourselves seriously, but we were serious about that. […] Like the Statue of Liberty we held up a shining torch of self-entertainment! Saying: Have fun! Play! Participate! Everyone should be allowed to be an American."
The group debuted with [url=https://discogs.com/release/2291463]Wonder Only 85 Pennies[/url] 7" EP on Nag & Bendle's London Musicians' Collective in 1980 – 14 tracks split between
U.S.A. and
U.S.B. sides. A debut full-length Ceremony LP soon followed, self-released through Brenner's London Musicians' Collective, and featuring naiveté songwriting approach similar to
Maher Shalal Hash Baz,
Red Crayola and early
Beat Happening. Named after '
Out of Many, One' Latin quote which appears on most US coins, this album excessively stressed out in the liner notes, that it's
1. Representing the whole of the United States; especially, chosen as the best in the United States. 2. Composed of Americans or American materials exclusively. 3. Entirely within the territorial limits of the United States. 4. Of all the Americas. In reality, this album was recorded, produced and released in the United Kingdom.
In 1982, the band released their second album, Bye, Bye Yokohama LP. This time The 49 Americans recorded a collection of happy-go-lucky pop songs, co-written and produced by David Toop and Steve Beresford, and covering a wide range of 'faux light music' styles, from doo-wop to disco and samba. London Musicians' Collective included this album in their legendary
100 Records That Set the World On Fire list in Issue #175, published in Sep 1998.
For two decades, the short-lived 49 Americans remained mostly in the context of obscure DIY/art-punk bands, with all their 12" and LPs being out-of-print. In 2002,
Seigen Ono re-released their full discography through his audiophile label London Musicians' Collective in Japan: debut
E Pluribus Unum LP with bonus tracks from their first concert on Violin Concerto In E Major, Orchestral Suite In B Minor CD, In A Traveling Mood / The Holidays Are Over CD with 3 alternative studio versions as bonus, and Het Huis Aan Het Water CD – compiling their debut
Wonder 85 Pennies 7" single, Boys In The Band 12" EP, and a few studio out-takes.
On the occasion of London Musicians' Collective's 15th anniversary, the European label produced another digital reissue in 2013. First in the series, [r=4282031] CD added 23 bonus tracks from
E Pluribus Unum (1980) and
Wonder Only 85 Pennies (1979) to the original
We Know Nonsense LP (1982). Staubgold also reprinted [r=4315663] and Fidelio on vinyl as is (w/o bonus material), followed by the download-only 2 compilation (tracklist identical to Saidera's
Too Young To Be Ideal Japanese CD). In light of these reissues, some members of The 49 Americans reunited for a few live concerts and performances.
