David Liptak

Classical composer (b. 18 Dec 1949 in Pittsburgh, Pennsylvania, USA) and professor of composition at the Eastman School of Music, where he has taught since 1986.
David Liptak's music has been described as “luminous and arresting,” “richly atmospheric,” and having “transparent textures, incisive rhythms, shimmering lightness.” His compositions have been performed throughout the United States and abroad by the San Francisco Symphony, the Montreal Symphony, the St. Paul Chamber Orchestra, the Rochester Philharmonic Orchestra, the Chamber Music Society of Lincoln Center, the Group for Contemporary Music, EARPLAY, the Ying, Cassatt, and JACK String Quartets, the Dinosaur Annex Ensemble, the New York New Music Ensemble, the 20th-Century Consort, baritone William Sharp, soprano Tony Arnold, and by many other soloists and ensembles. In 1995 David Liptak was awarded the Elise L. Stoeger Prize, given by the Chamber Music Society of Lincoln Center in recognition of distinguished achievement in the field of chamber music composition. He has received awards from the American Academy of Arts and Letters and the Barlow Endowment for Music Composition, both in 2002; he has also received the 2006 Lillian Fairchild Award; and commissions for new music have included those supported by the Fromm Foundation, the Koussevitzky Music Foundation, Meet the Composer, the Mary Flagler Cary Charitable Trust, the California Music Center, and the Hanson Institute for American Music. Recordings of David Liptak’s music can be found on Bridge, Innova, Albany, Centaur, and other recording labels. He is President of the American Composers Alliance, and his music is published by several publishers, including Keiser Classical, Alfred Music - Donald Hunsberger Wind Ensemble Library, and the American Composers Edition. Much of his music written very recently has explored the poetry and magical quality of stars and starlight, imagined and real.
Since 1987, Liptak has been a member of the composition faculty of the Eastman School of Music of the University of Rochester, where he holds the position of Professor of Composition and Chair of the Composition Department. From 1976–1980, Liptak was a member of the composition and theory faculty of Michigan State University, where he initiated and taught courses in Schenker analysis and conducted the student New Music Ensemble. In 1980 he joined the faculty of the University of Illinois, where his duties included directing the Contemporary Chamber Players, a professional new music ensemble, with which he presented a number of premiere performances. Recent residencies have included the Seal Bay Music Festival in the summer of 1999 and the Brevard Music Festival during the summer of 1998, where he served as Composer-in-Residence and taught composition.