Doctors Of Madness

English band founded in 1974 who have been described as “the missing link between David Bowie and The Sex Pistols” (The Guardian May 2017). Exploding onto the music scene in 1975 with their theatrical, William Burroughs-inspired Sci-fi nightmare, they were misunderstood by many, but those who knew understood the importance of the band’s dangerous, uncompromising approach to lyrics, to music and to performance. Among the many fans of the band were acts as diverse as The Damned, Vic Reeves, Joe Elliott of Def Leppard, Spiritualized, Julian Cope, The Adverts, The Skids and Simple Minds. The Sex Pistols supported them, so did The Jam and Joy Division. They were the first to combine the avant-garde approach of The Velvet Underground with a distinctly European aesthetic. The blue hair, exotic stage-names, the lyrical themes of urban decay, political propaganda, mind control and madness were all taken up by the punk bands who followed in their wake. The Doctors Of Madness were trailblazers, pioneers, adventurers…pushing the boundaries of rock music and theatre to see how far it would go before it bust. What happened after them was due, in no small part, to what they achieved in 3 short years. The band reconvened live and released an album in September 2019, once again produced by John Leckie (Radiohead, Muse, Stone Roses, Pink Floyd, XTC, Simple Minds) with contributions from Joe Elliott (Def Leppard), Sarah Jane Morris (Communards), Terry Edwards (PJ Harvey, Nick Cave, Tindersticks), Steve ‘Boltz’ Bolton (The Who, Scott Walker, Atomic Rooster, Paul Young Band) and the young protest singer Lily Bud (Sarah Jane Morris, Band of Holy Joy). The rhythm section now consists of Susumu Ukei (bass guitar) and Mackii Ukei (drums) of the Japanese extreme glam-metal band Sister Paul, and Dylan O Bates (violin and keyboards).