"I want to speak about [L.B.R.P.] a bit as it was, as far as my dungeon synth work goes, a fairly unusual one in that it was a collaboration. I won’t go into to much detail, but my original material, recorded on 4 track in the course of 2 days, and submitted to Attic Shrines, who released it. But Attic Shrines headquarters, built as it is atop a huge deposit of unpronounceable minerals, is not a kind place to tapes. Something happens to them there - some entity, fascinated with the potentiality of analog media, takes them apart at a molecular level, and reassembles them without great care for accuracy. The result was corrupted, rearranged. Jazz people would say “Teo’d”. It was definitely an intriguing process for me as a composer and one I hope to embark upon again."