Australian bass-baritone and songwriter, born 31 January 1882 in Adelaide, Australia and died 27 September 1961 in Sydney, Australia.
From Australian Dictionary of Biography:
"Peter Smith Dawson (1882-1961), singer, was born on 31 January 1882 in Adelaide, youngest of nine children of Thomas Dawson, ironworker and plumber, and his wife Alison, née Miller. Peter attended the East Adelaide Primary School and Pulteney Street Grammar School, and was then apprenticed to his father. His parents encouraged his appreciation of music, and when 8 he sang as a boy soprano at a social at the College Park Congregational Church, St Peters, and was later in the St Andrew's Presbyterian Church choir. When 17 he began taking singing lessons from C. J. Stevens and sang at concerts with the Adelaide Grand Orchestra. In 1900 he was a soloist in their performance of Handel's Messiah, was successful in several local contests, and won the bass solo section at the South Street Competitions, Ballarat, Victoria. Next year he won an amateur boxing championship.
"In 1902, encouraged by Stevens, Dawson went to London and studied with B. L. Bamford, (Sir) Charles Santley, the eminent baritone, and Professor Kantorez. His first engagement was at a church in the East End for a fee of 7s. 6d. He was soon touring in the west of England with the popular concert and opera singer Madame Albani, and singing in London at the Crystal Palace and Queen's Hall promenade concerts. On 20 May 1905 he married Annie Mortimer Noble, a soprano with the stage name of Annette George. They had no children and often toured together internationally until a serious car accident ended her public career.
"In 1908 Dawson was principal baritone at the Chappell ballad concerts. Next year he sang in The Mastersingers of Nuremberg at Covent Garden and joined Amy Castles and her company in touring Australia. Back in London he extended his repertoire from ballads and operatic arias to include German lieder and French songs. Leading reviewers of his 1911 concerts agreed that he was the finest English baritone of the day. Dawson was in Australia during World War I; in 1918 he enlisted as a private in the Australian Imperial Force, but did not serve overseas.
"For all his success as a concert singer, the gramophone record made Dawson's a household name in many countries; he was one of the first artists to have faith in the process. In 1904 he made a test record for the Edison Bell Phonograph Co., and later in the year began his fifty-year career for His Master's Voice which spanned recording techniques from the two-minute cylinder to the long-playing disc and tape. His early record labels carried such pseudonyms as Frank Danby for light songs, Will Strong for music-hall ditties, and Hector Grant for Scottish songs. For Zonophone he used the names Arthur Walpole, Charles Hardy, Walter Wentworth and Robert Woodville. For some twenty years he was on a substantial annual retainer and did not receive royalties. His eventual total was more than 13 million sales of some 3500 titles. He came to see recording as 'the dominating success of his career'.
"Dawson composed many songs under such pseudonyms as J. P. McCall, Evelyn Byrd, Peter Allison, Denton Toms, Charles Weber, Arnold Flint, Gilbert Mundy, Geoffrey Baxter and Alison Miller. He set several of Rudyard Kipling's poems to music: Boots and Route Marching were among the most popular. In 1930-31 he topped the bill in variety at the London Palladium above many famous stars; it was often said that he could have been a professional comedian.
"In 1939-47 Dawson lived in Sydney. During the war he sang for the troops and on recruiting drives in Australia and New Zealand. He had plans to retire after the war, but he claimed his tax bills were so crippling that he had to keep singing. His peak earnings between the wars had been about £14,500 a year, but he was a 'hopeless businessman'. On 7 December 1950 he sang the bass solo role in the Messiah at the Adelaide Town Hall where he had sung the same part half a century before. In 1951 he published an autobiography Fifty Years of Song. As president of the Australian Songwriters and Composers' Association in 1953 he pressed for legislation to increase the compulsory radio time for local music. That year his wife 'Nan' died after a long illness. On 29 April 1954 he married her sister Constance Bedford Noble in Sydney. They lived at Dee Why where Dawson enjoyed painting, drawing cartoons and growing roses.
"Although Dawson loved the limelight, he remained unspoiled by fame, abhorred 'swank', and was never ashamed of the tattooed wrists that recorded his boyhood 'flames'. Survived by his wife, he died on 27 September 1961 in Sydney; after a funeral at St David's Presbyterian Church, Haberfield, he was buried in Rookwood cemetery. His estate was valued for probate at £1555."
Another pseudonym may be Henry Grant.
2017
Retrospective Records
2xCD, Comp
2012
2002
Rajon Music Group
3xCD, Comp, Mono + Box
2002
Avid Entertainment
2xCD, Comp
1999
Prism Leisure
CD, Comp
1996
Memoir Classics
CD, Comp
1995
Phonographe
CD, Comp, Mono, RM
1994
Regis Records
CD, Album, Comp
1993
ASV, Living Era
CD, Comp, Mono
1993
Conifer, Happy Days (4)
CD, Comp, Mono
1993
Flapper
CD, Comp, Mono
1989
Pearl
CD, Album
1989
AVM Records (3)
CD
1989
1988
Pearl
CD, Comp, Mono
1988
Happy Days Series
LP, Comp
1988
Golden Editions
Cass
1988
1985
His Master's Voice
2xLP, Comp, Mono, Gat
1984
1983
His Master's Voice
2xLP, Comp, Mono
1983
1982
EMI Records Australia, EMI Records Australia, EMI Records Australia, EMI Records Australia, EMI Records Australia, EMI Records Australia, EMI Records Australia, EMI Records Australia, EMI Records Australia, EMI Records Australia
10xLP, Comp, Mono, Box
1981
Pearl
LP, Comp
1981
Pearl
LP, Comp
1979
Pearl, Pearl
2xLP, Album, RE
1978
Pearl
LP, Comp, Mono
1978
1977
1976
1973
The Australian Opera
LP, Comp, Ltd + Box
1973
1971
1970
His Master's Voice, His Master's Voice, His Master's Voice
LP, Comp, Mono
1970
1970
1963
1962
1962
1962
1960
1958
1955
Prestophone, Prestophone
Shellac, 10"
1954
Prestophone, Prestophone
Shellac, 10"
1952
His Master's Voice
Shellac, 10"
1952
His Master's Voice
Shellac, 10"
1949
His Master's Voice
Shellac, 10"
1948
His Master's Voice
Shellac, 10"
1948
1947
His Master's Voice
Shellac, 10"
1947
His Master's Voice
Shellac, 10"
1941
His Master's Voice
Shellac, 10"
1941
Regal Zonophone
Shellac, 10"
1940
Regal Zonophone
Shellac, 10"
1940
Regal Zonophone
Shellac, 10"
1940
His Master's Voice
Shellac, 10"
1939
His Master's Voice
Shellac, 10"
1939
1938
1938
1937
His Master's Voice
Shellac, 10", Mono
1934
His Master's Voice
Shellac, 10"
1934
His Master's Voice
Shellac, 10"
1934
His Master's Voice
Shellac
1934
1933
1933
1932
His Master's Voice
Shellac, 12"
1932
His Master's Voice
Shellac, 10"
1932
His Master's Voice
Shellac, 10"
1932
1931
1931
1931
1930
His Master's Voice
Shellac, 10"
1930
His Master's Voice
Shellac, 12"
1930
1930
1929
1929
1929
1928
His Master's Voice
Shellac, 10"
1928
His Master's Voice
Shellac, 12"
1928
1927
His Master's Voice
Shellac, 12"
1927
His Master's Voice
Shellac, 10"
1927
His Master's Voice
Shellac, 10"
1927
1927
1927
1926
His Master's Voice
Shellac, 10"
1926
1926
1926
1925
His Master's Voice
Shellac, 10"
1925
1924
His Master's Voice
Shellac, 10"
1924
His Master's Voice
Shellac, 10"
1923
1923
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