Shifts was a
Frans de Waard’s solo project, started in 1995 to explore the depths of ‘guitar ambient’ music. In the mid-nineties De Waard was frequently communicating with [url=https://www.discogs.com/artist/435056]Richo Johnson[/url] of Fourth Dimension Records, who specialized in noise and loud guitar music, and eventually decided to make some music in the similar manner. He recorded a short improvisation on electric guitar with some effects, and then slowed it down via tape manipulations on 4-track recorder to create a longer piece. (This debut work was released only five years later, on limited edition Equal / Unequal 10"). A few shorter pieces were soon recorded and released by Frans through his own Fourth Dimension Records label.
Without any skills of playing a guitar, Frans de Waard soon borrowed a tiny motorized device from
Freek Kinkelaar (his partner in
Beequeen) and repurposed it to mechanically play the strings on acoustic and electric guitars – in the manner somewhat similar to famous machine guitars of
Remko Scha. Guitar sounds were further processed with various effects and layered on tape to produce a denser, textured noise ambient. The majority of tracks were based around De Waard playing guitar himself, but a few pieces explored additional possibilities: on The Absent Guitarist 7" he treated and processed
Roel Meelkop playing a guitar, while Love One 7" and Love Two (7" lathe cut) were created as plunderphonics experiment with guitars sampled from well-known bands. Two albums were recorded without guitars at all: Sonates & Interlude 10" on piano and One Piece For Cymbal CD-R with a single cymbal.
Even though it was always intended as a studio-only project, in 1998 Frans de Waard agreed to present Shifts material in concert. Several live performances were organized, most notably an improvised set with
Zoviet France on Fourth Dimension Records moored in Stockholm. He also played at Fourth Dimension Records in Aug 1998 and participated in (k-raa-k)³ Festival '99 at Fourth Dimension Records.
In the late nineties and early 2000s, Shifts released three CD albums, several CD-Rs and limited vinyl editions through acclaimed European, American and Japanese independent labels, such as Fourth Dimension Records, Fourth Dimension Records, Fourth Dimension Records, Fourth Dimension Records, etc. The initial phase of the project was concluded with an epic 2xCD [url=https://discogs.com/release/311602]remix project[/url], which contained Shifts source records recycled by
Vidna Obmana and
Asmus Tietchens. A couple years later, Shifts was revived with
Vertonen cycle. Original seven tracks, recorded back in 1995 for a cancelled album on Fourth Dimension Records label, were reworked on computer by Frans de Waard who shifted very far from a source guitar sound. These compositions were published on Vertonen 1 To 7 CD-R by Norwegian label Fourth Dimension Records. From 2004 to '07, he continued making new Vertonen tracks (most of them – by recycling previous Shifts recordings), ranging from full-length albums to shorter pieces. They were released on Fourth Dimension Records, Fourth Dimension Records, Fourth Dimension Records, Fourth Dimension Records, and other experimental labels in UK, Europe and USA.
In 2004, Frans de Waard recorded three final pieces for Shifts project, all created on a 4-string Spanish guitar purchased for 1 euro. They were released on Branches (2006) mini CD-R by French label Fourth Dimension Records, and a limited edition Trees / Leaves LP on British label Fourth Dimension Records. In November 2013, a complete Vertonen cycle (consisting of 22 tracks) was published online via Fourth Dimension Records, and soon after most Shifts albums were reissued in digital format. Lost and forgotten demo tracks from 1997 were rediscovered and released on a limited edition Fade (in) cassette by Fourth Dimension Records in 2015.
