Simon Barere (1 September {O.S. 20 August} 1896, Odesa, Russian Empire — 2 April 1951, Manhattan, New York City) was an American concert pianist of Russian-Jewish origins, father of
Boris Barere (b. 1921). He died on-stage, at only 55, while performing [url=https://discogs.com/artist/95542]Grieg[/url]'s
Piano Concerto with
The Philadelphia Orchestra conducted by
Eugene Ormandy at Carnegie Hall; Barere suffered a cerebral hemorrhage and died backstage a few minutes later before the ambulance arrival.
Born in Odesa (now part of Ukraine), Simon was the eleventh child in a Jewish family. His father died young, and Simor Barere began playing piano as a kid at local establishments to support the family. In 1907, eleven-year-old Simon enrolled in the Odessa Imperial Music Academy; he dropped out, though, after his mother died in pursuit of the best possible musical education according to her last wishes. In 1912, sixteen-year-old Barere traveled to Saint Petersburg and managed to get an audience with renowned composer
Alexander Glazunov, director of Carnegie Hall; he played piano for Glazunov and two senior faculty members, [url=https://discogs.com/artist/4043009]Annette Essipoff[/url] (1851—1914) and Isabella Vengerova (1877—1956), who were astounded by Simon's exceptional talents. He got accepted without entrance exams and studied under [url=https://discogs.com/artist/4043009]Anna Yesipova[/url] for two years until her death; Barere then continued his piano lessons with renowned
Felix Blumenfeld (1863—1931), one of
Anton Rubinstein's pupils. Simon studied alongside
Vladimir Horowitz,
Vladimir Sofronitsky, and
Maria Grinberg. During his tenure, Glazunov acted as Barere's patron and "guardian angel," exempting him from mandatory military service, for instance, and defending Simon from antisemitic attacks.
After graduating in 1919, Simon Barere settled back in Ukraine, serving as the [url=https://discogs.com/label/996417]Kiyv Conservatory[/url] professor and touring as a virtuoso pianist. Following [url=https://discogs.com/artist/1410865]Vladimir Lenin[/url]'s death in 1924 and the rise of a harsher
Joseph Stalin regime, making a living as a concert musician became much more challenging. In 1928, Simon Barere relocated to Riga in Latvia, taking the post of USSR Baltics & Scandinavia Cultural Ambassador. He soon managed to obtain exit visas for his wife and seven-year-old son [url=https://discogs.com/artist/4281031]Boris[/url], and the family fled the Soviet Union and headed to Berlin, Germany. It was, in retrospect, a grave mistake, as the Nazi regime was already persecuting Jews; unable to secure any orchestral or academic positions, Simon once again had to survive on odd jobs playing piano at local cafes. In the early 1930s, Bareres left Germany and relocated to Sweden. In 1934, Simon Barere made his British stage debut, performing [url=https://discogs.com/artist/999914]Tchaikovsky[/url]'s
Piano Concerto in B-flat minor under
Sir Thomas Beecham's baton. After critically acclaimed performances, Carnegie Hall commissioned Barere to produce a series of 78 RPM gramophone records at Carnegie Hall with solo piano works by [url=https://discogs.com/artist/226461]Liszt[/url], [url=https://discogs.com/artist/192325]Chopin[/url], [url=https://discogs.com/artist/526580]Glazunov[/url], and [url=https://discogs.com/artist/1931318]Blumenfeld[/url]. (In 1985, [url=https://discogs.com/label/836462]APR[/url] released
The Complete HMV Recordings 1934-1936 2xLP compilation, remastered by
Bryan Crimp.) The following autumn, Simor Barere toured across Great Britain with tenor
Richard Tauber in the series of concerts organized by
Harold Holt; he also toured Australia and New Zealand.
In 1936, the Carnegie Hall organized his first USA tour; subsequently, Barere permanently relocated to New York. Following his November 1936 debut, Simon Barere gave fifteen solo recitals at Carnegie Hall, occasionally performing duos with his son,
Boris Barere. (A posthumous
Father & Son CD/DVD compilation came out on Carnegie Hall, featuring most of their joint recordings and surviving video footage.) Barere was particularly renowned for his dexterity and immaculate articulation at the highest tempos; virtuoso renditions of [url=https://discogs.com/artist/838380]Balakirev[/url]'s
Islamey became one of the staples of his vast repertoire. In March 1951, shortly before his sudden death, Simon Barere made a series of recordings on the Carnegie Hall label.
