In 2005, TBA presented her sophomore CD album, Annulé. Beridze's third full-length work for max.E, Stupid Rotation, came out under TBA EMPTY alias, accompanied by two 12" singles, and characterized by a much more minimalistic, reductionist sound, reminiscent of Brinkmann's "ultra-minimal" techno. Beridze concluded her collaboration with the Max Ernst label by an ambitious "concept album" trilogy, * - ** - ***, spread across two albums: [url=https://www.discogs.com/release/1109011]Size And Tears[/url] 2xCD (with one of the chapters inspired by Lewis Carroll's "Alice in Wonderland") and The Other CD. Both albums carried a joint credit, reading "TBA / Natalie Beridze" on the back cover and "TBA Tusia Beridze" on the shrinkwrap sticker — a design layout that Natalie adopted for the rest of TBA releases.

In 2007, Beridze returned to Tbilisi, Georgia. Two years later, Natalie released her sixth album, Pending, on Max Ernst label. The CD artwork had the artist's name printed as TBA_Natalie Beridze. In 2010, Natalie Beridze / TBA released her digital-only What About Things Like Bullets EP on the German label Monika Enterprise (she first appeared on the label five years prior on the 4 Women No Cry Vol. 1 2x12"/CD compilation). A full-length album Forget'fulness followed in Spring 2011, featuring Ryuichi Sakamoto on one of the tracks.

Beridze is still on Max Ernst's roster and released two more full-length albums and an EP for the label. However, she stopped using TBA as the moniker after 2011, with all current works credited to her full name Natalie Beridze.